Hardly ever are a movie as life-affirming and single as Jean-Pierre Jeunet’s La fabuleux destin d’Amelie Poulain (or as it is known well within the English-speaking industry: Amelie).

The easy yet engrossing account of a naive French girl just who will act as the personification of karma and coupons out warranted retribution to your bad and youth memory towards the good. She gains a particular satisfaction from breaking the top a brulee with a spoon, skimming stones, and providing inanimate items getaways; the actress that delivers this iconic development to life will be the beautiful Audrey Tautou.

The challenge with Amelie’s unique-ness usually there are not any flicks which are undoubtedly similar – Jeunet’s preceding flicks (Delicatessen, The City of missing kiddies and Alien: Resurrection) doll with darker themes and, though masterpieces in their own right (besides Alien: Resurrection, and that is only truly worst), are not as obtainable or light-hearted as Amelie.

Jeunet’s services post-2001 cannot let but pale when compared with his fizzy, life-affirming magnum opus. Tautou, maybe not willing to be typecast the lady whole career, rapidly type to not ever replicate by herself desire functions as schemers (invaluable), plucky immigrants (Dirty quite Circumstances) and a Sexy Lamp for Tom Hanks to speak with in mindless Hollywood fare (The Da Vinci laws).

There are certain points that generate Amelie exclusive plans which: the beautiful, candy-coloured palette, Tautou’s child-like ponder and her intangible likeability as a celebrity, the twee quests and mysteries, scatterings of miraculous realism and post-modernism, as well as Yann Tiersen’s swooning sound recording. Above all else though their quirks tend to be grounded by an over-arcing theme of willing to like and become loved, which produces a cozy feelings like not any other.Leer más→